Villa Gyllenberg

Invitation to press conference: Eastern Spirituality at Villa Gyllenberg Art Museum, 26 April – 13 August 2023

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The summer exhibition at the Villa Gyllenberg Art Museum sheds light on ‘Eastern Spirituality’ in Finnish art. Imaginings of Buddhism, the ancient cultures of India and the sages of the East have inspired many artists. This history is intertwined with problematic confrontations and power relations, but also with a genuine desire to understand and learn from other cultures. The new exhibition presents art from the 19th century to the present by more than twenty artists, including Akseli Gallen-Kallela, Ilona Harima, Anitra Lucander and J.O. Mallander. The exhibition offers new perspectives on the history of Finnish art and is based on the pioneering research of Nina Kokkinen, Ph.D., who has previously studied esoteric spirituality.
Ilona Harima: Northern Road, 1948, gouache on paper, glued on panel, 32 x 22 cm, Villa Gyllenberg / Signe and Ane Gyllenberg Foundation's Collecton. Photo: Matias Uusikylä / Signe and Ane Gyllenberg Foundation.
Ilona Harima: Northern Road, 1948, gouache on paper, glued on panel, 32 x 22 cm, Villa Gyllenberg / Signe and Ane Gyllenberg Foundation's Collecton. Photo: Matias Uusikylä / Signe and Ane Gyllenberg Foundation.

Welcome to the press conference on Tuesday 25 April 2023 at 11am.

The press conference will be held at Villa Gyllenberg, Kuusisaarenpolku 11, 00340 Helsinki. The exhibition’s curator Nina Kokkinen and Lotta Nylund, Chief Curator and project manager for the exhibition, will be available for interviews.
Registrations: siiri.oinonen@gyllenbergs.fi

 

Finding answers in Eastern spirituality

Answers to the challenges of today's hectic lives are often sought in yoga, meditation, trips to Asia and homes decorated with images of Buddha. Eastern religions have long inspired artists to collect artefacts, travel, contemplate and seek new ways of approaching both artmaking and their own spirituality. A deeper, more authentic spirituality was sought from the East and its religions.

“My dissertation dealt with esotericism in the art of Akseli Gallen-Kallela, Pekka Halonen and Hugo Simberg. During my research, it became clear that the ideas about Eastern spirituality are closely intertwined with esotericism, and these topics were also of great interest to artists who worked later in the 20th century. For some, like Ilona Harima and Anitra Lucander, Eastern spirituality became an important part of their lives. This exhibition highlights the influence of Eastern spirituality on art and culture as a broader phenomenon and examines its development over a period of more than a hundred years,” says Nina Kokkinen, curator of the exhibition.

Fascinating life stories and art

The exhibition highlights interesting works, fascinating life stories and artefacts in which notions of Eastern spirituality have lived on in Finnish art and culture. Over a period of a hundred years, Eastern spirituality gained different expressions and was used to describe bohemian life, the pursuit of spiritual development, and conceptual avant-garde. In addition to visual art, the exhibition includes historical photographic material and religious artefacts collected by e.g. Gustaf Mannerheim and Akseli Gallen-Kallela.

Ane Gyllenberg had a profound interest in spirituality and collected not only works related to Christianity but also Buddhist artefacts. He also acquired two works by Ilona Harima that have rarely been exhibited in the museum. Harima was rumoured to create art in a kind of trance state, and she depicted her own spirit guides in her works. I invited Nina Kokkinen to curate this exhibition at Villa Gyllenberg to shed light on the importance of the Eastern religious sculptures in Finnish collections and how artists have drawn from Eastern religions in different periods,” says Lotta Nylund, Chief Curator of the Villa Gyllenberg Art Museum.

Art permeated with Eastern Spiritualism

Eastern spirituality has had a wide influence on all fields of art and culture. In addition to fine art and collecting, the exhibition sheds light on the influence of Eastern spirituality on the dance art of the early 20th century. The enthusiasm for oriental dance experienced in Finland also highlighted the religious nature of Asian dance and theatre art. Dancers began to move in a way characteristic of yoga, meditation and the ritual sign language of the East. They were seen to express their connection to cosmic harmony through their body and movement. Artists were inspired to depict dancers as saints, angels and mediums with extrasensory abilities.

The influence of Eastern spirituality in the early 20th century was also visible in literature and illustration art, such as the beloved fairy tale illustrations of Rudolf Koivu. Along with works related to Buddhism, artists also read works such as the Bhagavad Gita, the holy book of Hinduism.

Travel and meditation

Perceptions of Eastern spirituality became increasingly concretised as tourism proliferated after the Second World War. During their travels, artists gained first-hand experiences of Hinduism, Buddhism and Islam, and artists like Per Stenius and Anitra Lucander sought the counsel of spiritual teachers in India.

In the 1970s, numerous communities based on Eastern religions were founded in Finland, and gurus and other spiritual teachers paid visits to Finland. Artists were often involved in organising these visits.

Eastern spirituality became intertwined with avant-garde and artistic experimentation. It also increasingly gained conceptual and philosophical expressions. Art approached meditation. Towards the end of the 20th century, the importance of the artistic process grew and began to acquire ritualistic dimensions. J. O. Mallander’s Wang is named after a Buddhist ritual, and Silja Rantanen’s series of large paintings draws from the tradition of tantric art.

The exhibition is curated by Dr. Nina Kokkinen (The Donner Institute) and is based on her broader research project on ‘Eastern spirituality’ in Finnish art. In 2020, Kokkinen curated the acclaimed exhibition The Path to Hidden Knowledge at Villa Gyllenberg.

The artists featured in the exhibition are: Wäinö Aaltonen, Eva Bremer, Carolus Enckell, Akseli Gallen-Kallela, Meri Genetz, Ilona Harima, Werner von Hausen, Outi Heiskanen, Ester Helenius, Rudolf Koivu, Inari Krohn, J. O. Mallander, Ahti Lavonen, Anitra Lucander, Leena Luostarinen, Silja Rantanen, Venny Soldan-Brofeldt, Per Stenius, Matti Visanti, Hannu Väisänen and Jan Kenneth Weckman.

 

Contacts and interview requests

Lotta Nylund, Chief Curator, Villa Gyllenberg, lotta.nylund@gyllenbergs.fi, +358 40 576 1753

Nina Kokkinen, Exhibition Curator, nina.kokkinen@stiftelsenabo.fi

 

Opening hours, tickets and group bookings

Opening hours: Wed, Sat, Sun 12–17 and other times for group bookings
Admission: 12/10 € (0 € for under 18s and with Museum Card)
Group bookings: villa@gyllenbergs.fi

Keywords

Contacts

Images

Ilona Harima: Northern Road, 1948, gouache on paper, glued on panel, 32 x 22 cm, Villa Gyllenberg / Signe and Ane Gyllenberg Foundation's Collecton. Photo: Matias Uusikylä / Signe and Ane Gyllenberg Foundation.
Ilona Harima: Northern Road, 1948, gouache on paper, glued on panel, 32 x 22 cm, Villa Gyllenberg / Signe and Ane Gyllenberg Foundation's Collecton. Photo: Matias Uusikylä / Signe and Ane Gyllenberg Foundation.
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Anitra Lucander: Mosque II, 1968, oil on canvas, 104 x 104 cm, Private Collection. Photo: Matti Ruotsalainen/EMMA.
Anitra Lucander: Mosque II, 1968, oil on canvas, 104 x 104 cm, Private Collection. Photo: Matti Ruotsalainen/EMMA.
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Unknown Tibetan: Amitabha buddha, ca. 18th century, bronze, 20 cm, Villa Gyllenberg / Signe ja Ane Gyllenberg Foundation's Collection. Photo: Matias Uusikylä / Signe and Ane Gyllenberg Foundation.
Unknown Tibetan: Amitabha buddha, ca. 18th century, bronze, 20 cm, Villa Gyllenberg / Signe ja Ane Gyllenberg Foundation's Collection. Photo: Matias Uusikylä / Signe and Ane Gyllenberg Foundation.
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Eva Bremer: Flowering tree, undated, oil on masonite, 48,5 x 46 cm, Vaasa City Museums, The Ostrobothnian Museum Collections. Photo: The Ostrobothnian Museum's Photo Archive.
Eva Bremer: Flowering tree, undated, oil on masonite, 48,5 x 46 cm, Vaasa City Museums, The Ostrobothnian Museum Collections. Photo: The Ostrobothnian Museum's Photo Archive.
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Unknown: Thangka, Sitatārā Figure, undated, silk and paper, 88 x 60 cm, The Mannerheim Museum. Photo: The Mannerheim Museum.
Unknown: Thangka, Sitatārā Figure, undated, silk and paper, 88 x 60 cm, The Mannerheim Museum. Photo: The Mannerheim Museum.
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Akseli Gallen-Kallela: Axel Gallén’s work table in Paris, 1889, oil on canvas, 81 x 58 cm, Gallen-Kallela Museum. Photo: Jukka Paavola / Gallen-Kallela Museum.
Akseli Gallen-Kallela: Axel Gallén’s work table in Paris, 1889, oil on canvas, 81 x 58 cm, Gallen-Kallela Museum. Photo: Jukka Paavola / Gallen-Kallela Museum.
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Rudolf Koivu: Life-loving Dirai Radsha 4, 1938, gouache, 29 x 18 cm, Amer’s Cultural Foundation / Tuusula Art Museum. Photo: Amer’s Cultural Foundation / Tuusula Art Museum.
Rudolf Koivu: Life-loving Dirai Radsha 4, 1938, gouache, 29 x 18 cm, Amer’s Cultural Foundation / Tuusula Art Museum. Photo: Amer’s Cultural Foundation / Tuusula Art Museum.
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Jan Olof Mallnder: Wang, 1981, charcoal, cardboard, foamboard, 130 x 302 cm, Föreningen Konstsamfundet Collections / Amos Rex. Photo:  Stella Ojala / Amos Rex.
Jan Olof Mallnder: Wang, 1981, charcoal, cardboard, foamboard, 130 x 302 cm, Föreningen Konstsamfundet Collections / Amos Rex. Photo: Stella Ojala / Amos Rex.
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Links

About Villa Gyllenberg

Villa Gyllenberg
Villa Gyllenberg
Kuusisaarenpolku 11
00340 Helsinki

http://www.villagyllenberg.fi

Villa Gyllenberg is an art and home museum in Helsinki, on the island of Kuusisaari. The museum is owned by the Signe and Ane Gyllenberg Foundation. The museum is open Wed, Sat, Sun 12-17. 

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Taidemuseo Villa Gyllenbergin syysnäyttely nostaa esiin arvostetun nykytaiteilijan Jarmo Mäkilän uutta tuotantoa. Mäkilän arvoitukselliset maalaukset, veistokset ja installaatiot ovat mielenmaisemia, jotka sijoittuvat välitiloihin, sisäisen ja ulkoisen rajamaille. Osa esille tulevista teoksista on valmistunut tätä näyttelyä varten. Ristiriitaisia ja voimakkaita tunteita herättävien teosten keskeisiä teemoja ovat aika ja vanheneminen, minuuden kehitys sekä muistojen ja alitajunnan merkitys. Mäkilän teokset esitetään vuoropuhelussa Gyllenbergin kokoelmateosten kanssa. Näyttely laajenee myös museota ympäröivään puutarhaan, jonne sijoitetaan Mäkilän pronssiveistoksia. Näyttely Jarmo Mäkilä – Minä olen monta on esillä 23.10.2024.–2.3.2025. Näyttelyn kuraattori on taidekriitikko ja taiteilija Timo Valjakka. Näyttelyarkkitehti on Päivi Kettunen. Mediatilaisuus järjestetään Villa Gyllenbergin taidemuseossa tiistaina 22.10 klo 11. Ilmoittautumiset yleisöpalveluvastaava Siiri Oinoselle siiri.oin

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